My first experience of photography was with my parents on holidays. I can remember the thrill of mum letting me shoot a photo, and seeing it when they came back from being developed was always a magical moment.
My real passion for photography started when my parents bought me a Canon SLR. The things I liked to shoot were bands and Skateboarding.
I started to learn about shutter speeds and aperture, mostly shooting in Tv mode and occasionally splashing out and shooting fully manual. A night school course enabled me to develop film for free, which, when I sometimes had to shoot 20 frames to get a shot, it allowed me financially to keep shooting.
Over the years I drifted away from photography somewhat, making skateboard videos and only occasionally shooting photos, but when I got a digital compact I began to take it everywhere. I found photography again, my passion was reignited.
Extremely generously my girlfriend (now wife) and parents bought me a 400D as a present. That was it. I was hooked on photography again. No print costs and the instant ability to check you had your shot opened a new world of experimentation.
I bought every photo magazine and spent hours trawling the net. I always had photographic influences in the skate world, trying to make my shots look like those in the magazines, but now I discovered people like Zack Arias and Chase Jarvis, Professionals who laid out their techniques and methods with the aim of helping others.
Improvement came by constant learning and constant shooting. Any skater who was happy to be photographed I would shoot. As I improved, more people wanted a photo. This eventually lead to my first published photo appearing in Sidewalk magazine.
My road into music photography however was started by pure luck. My musical hero has always been Graham Coxon. To be able to photograph him was a dream. My girlfriend encouraged me to try and blag a pass for a gig we were going to. I contacted the tour manager, who agreed to let me shoot.
My first proper gig was shooting my hero, talk about pressure! After the gig I got to meet Graham and his manager. When the manager heard I was going to another gig on the tour, he said “I’ll leave you a photo pass on the door”. Lady luck was definitely working her magic that night.
My second major gig was Spiritualized. I played the blag with promoters, and managed to score a pass. The promoters taught me how to do things properly, and how to not annoy them next time. Harsh lesson, but one I was glad to learn.
I approached a local free magazine, with photos of the few gigs I had shot. They were happy to run photos of any gig I could get a pass for. I had an outlet for my pictures, and my work was now regularly in print.
I currently shoot mainly for local magazines and BBC Lincolnshire. If I manage to go further with my photography, I will be over the moon. If I don’t, I’ll continue having a blast just being a photographer.
Links:
Website : www.carlspring.net
Twitter : www.twitter.com/CarlSpringPhoto
Rich Harley says
Great story and great shots!
Shawn says
Second Rich’s comment! Great story and I love the piece about lucking into shooting your musical hero. Great B&W shot by the way.
Julie says
This is a wonderful post! It truly shows the excitement that photography brings you. And it reminds me of some of the first shows I shot. Isn’t it such a beautiful thing when you get to shoot a band/musician that you’ve loved for so long? Ahh. Keep up the good work!
Jony Patterson says
Great story Carl… I would love to do what you do and have the “insert appropriate word” to go for it… I wouldn’t know where to start!
At the minute I’m just shooting anything and everything, but to have an outlet like yourself must be such a buzz!
Thank you for your story.. I hope it pushes me in the right direction!!
Jony
Threeark! says
I’m digging both these shots. Great story too.
Sandy says
I love your story and your dramatic photos.
Carl says
Thanks for all the nice comments, really am humbled you took the time to read through my piece, and any of you get something out of it, all the better.
@Jony Patterson, go for it, drop me an email if you want, quite happy to help anyone I can.
David Bennett says
I like your shots – they seem to be at just the right distance from the subject – hard to say why – it is an emotional response.